Scott’s involved in various working bands including: The Scott Amendola Band, Charlie Hunter/Scott Amendola Duo, The Nels Cline Singers, Nels Cline and Scott Amendola are Stretch Woven, Invisible Bird, and Mike Patton’s Mondo Cane.

Raffi Garabedian: tenor saxophone
Danny Lubin-Laden: trombone
Scott Amendola: drums/percussion/electronics

The brass-powered East Bay trio -The SticklerPhonics – explores a world of brass ‘n’ skin possibilities.

Scott Amendola, the drummer, composer and bandleader who’s been a creative force on the Bay Area jazz scene (and far beyond) for the past three decades, knows all about the power of subtraction. His new stripped-down trio SticklerPhonics brings together long-time collaborators Raffi Garabedian on tenor saxophone and trombonist Danny Lubin-Laden, NewYork-seasoned improvisers who’ve worked together since their formative years in the vaunted Berkeley High Jazz Band, circa 2003.

The trio has plunged into the unmediated terrain that opens up in the absence of the usual guidelines,“a situation where there’s no bass and no chords,” Amendola said. “The sound is ever evolving.We’re really settling in, but there’s also the feeling like there are places to go. We’ve been adding my electronics and Danny bringing in a little looper. We’re just getting started.”

With all three players contributing original compositions, SticklerPhonics is a volatile combo that can draw on a vast continuum of jazz practices, from traditional jazz polyphony and ambient soundscapes to funk and free jazz.Amendola, who first gained national attention in the Grammy-nominated three-guitar and drums band T.J.Kirk, has a deep well of experience in unusual instrumental settings.His long-running duo with Hammond B-3organist Wil Blades got its start when they developed an impressively detailed version of Duke Ellington and Billy Strayhorn’s late masterpiece Far East Suite.

There aren’t many models to follow for SticklerPhonics, though Barondown with tenor saxophonist Ellery Eskelin and trombonist Steve Swell is a major source of inspiration. “Scott hipped me to that group,” said Garabedian. “It’s fun to be in this almost uncomfortable situation. You need melody, rhythm,and harmony, and the challenge is how can you successfully get all that with what you’re working with.”

Graduates to the New School who have both released ambitious albums of their own, Garadedian and Lubin-Laden co-led Brass Magic, a stylistically omnivorous, horn-laden band that melded funk and rock, R&B and an array of international brass band idioms. Their deep connection on and off the bandstand informs the music of SticklerPhonics, which continues to calibrate different approaches for various spaces.

“We had this chemistry right awayas teenagers,” Lubin-Laden said.“It seems like Scott is in a very similar place to us musically. SticklerPhonics feels very exposed, but there’s this freedom in being able to accompany each other when we take solos.And Scott is the miracle glue for the whole thing. He’s such a force of nature as a drummer.

”Born in New Jersey and long based in Berkeley, Amendola has woven a dense and far-reaching web of bandstand relationships that tie him to leading artists in jazz, blues, rock, new music and beyond.A creative catalyst as a bandleader, composer, and accompanist, he’s collaborated closely with artists such as guitarists Nels Cline, Jeff Parker, John Schott and Charlie Hunter, organist Wil Blades, violinists Jenny Scheinman and Regina Carter, saxophonists Larry Ochs and Phillip Greenlief, and clarinetist Ben Goldberg, players who’ve all forged singular paths within and beyond the realm of jazz. He’s led or co-led some two dozen albums and contributed to more than 100 recordings.

A Berkeley native now living in Oakland,Lubin-Laden studied with Art Baron, Alan Ferber, Lee Konitz and Ambrose Akinmusirie at the New School for Jazz and Contemporary Music. In addition to SticklerPhonics,he performs in a wide array of settings, including the Jackie McLean repertory band JACKNIFE, Oakland R&B legend Johnny Talbot and DeThangs, the Electric Squeezebox Orchestra, and Brass Magic, the stylistically encompassing ensemble he co-led with Raffi Garabedian. Healso leads his own projects.

Born and raised in Berkeley, Garabedian studied with jazz heavyweights such as Tony Malaby, Mark Turner, Chris Cheek, Bill McHenry and Andrew Cyrille at the New School for Jazz and Contemporary Music.He’s recorded and performed with a variety of artists, including Jorge Rossy, Ben Street,Dayna Stephens, and R&B innovatorJohnny Talbot. He can be found playing around the Bay Area with the ElectricSqueezebox Orchestra and leading his own quartet and octet, and also performs with his brother, New York bassist Noah Garabedian.



Scott Amendola: drums/percussion/electronics
Wil Blades: Hammond B3/Clavinet

“Sometimes it just ridiculous how much sonic space Scott Amendola and Wil Blades alone can fill up in a room. Freakishly funky and soul satisfying, this dynamic duo push the limits while having too much fun doing it.” Something Else Reviews




Recording / Teaching

I’ve got a great home setup for recording and teaching. My studio has a Pro Tools set up that sounds amazing. Along with some incredible sounding, and flexible gear, I can track drum set, percussion, and electronics.

I’m available for private study, workshops, or clinics. Private lessons via FaceTime, or Skype works great. I live in the bay area for in person lessons.




Press Kit


“Amendola’s music is consistently engaging, both emotionally and intellectually, the product of a fertile and inventive musical imagination.” Los Angeles Times

“If Scott Amendola didn’t exist, the San Francisco music scene would have to invent him.”
Derk Richardson, San Francisco Bay Guardian

“Amendola has complete mastery of every piece of his drumset and the ability to create a plethora of sounds using sticks, brushes, mallets, and even his hands.” Steven Raphael, Modern Drummer 

“…drummer/signal-treater Scott Amendola is both a tyrant of heavy rhythm and an electric-haired antenna for outworldly messages (not a standard combination).” Greg Burk, LA Weekly

For Scott Amendola, the drum kit isn’t so much an instrument as a musical portal. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist and capaciously creative foil for some of the world’s most inventive musicians, Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists Charlie Hunter, Nels Cline, and Jeff Parker, Hammond B-3 organist Wil Blades, violinist Jenny Scheinman, saxophonist Phillip Greenlief, clarinetist Ben Goldberg, bassists Trevor Dunn, and Todd Sickafoose, players who have each forged a singular path within and beyond the realm of jazz.

While rooted in the San Francisco Bay Area scene, Amendola has woven a dense and far-reaching web of bandstand relationships that tie him to influential artists in jazz, blues, rock and new music. A potent creative catalyst, the Berkeley-based drummer is the nexus for a disparate community of musicians stretching from Los Angeles and Seattle to Chicago and New York. Whatever the context, Amendola possesses a gift for twisting musical genres in unexpected directions.

Over a career spanning more than three decades, Amendola has forged deep ties across the country, and throughout the world. As an ambitious composer, savvy bandleader, electronics explorer, first-call accompanist, and capaciously creative foil for some of the world’s most inventive musicians, Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings







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